Photo Credits

American Institute of Indian Studies: figs. 4, 12, 14, 17, 30, 34;
Asia Society, New York: fig. 21; pis. 10 and 25;
Asian Art Museum, San Francisco: fig. 104;
Baroda Museum & Picture Gallery: fig. 25;
British Library & Museums: figs. 27, 28, 29, 54, 55, 60, 72, 76, 85, 86, 87, 88, 89, 124; pis. 58-62, 67, 70-71, 78;
Brooklyn Museum: fig. 68;
Brussells Museum: fig. 65;
Cleveland Museum of Art: fig. 48;
Detroit Institute of Art: Pl. 13;
Robert H. Ellsworth: fig. 59, pis. 47-48;
Freer Gallery of Art: figs. 18, 93; pis. 73, 84;
S. V. Gorakshakar: Pl. 12;
Goto Art Museum, Tokyo: pis. 85, 89-90;
John Guy: Pl. 41;
Harvard University Art Museums: figs. 90, 107; pis. 57, 68-69, 79;
Helga Photo Studio, New York: figs. 49-50;
Images 4: pis. 97,100;
Rudolf Jauslin, Basel: fig. 69;
Kyoto National Museum: pis. 80-81;
Library of Congress: fig. 108;
Los Angeles County Museum of Art: figs. 3, 5, 6, 20, 23, 36, 42, 43, 45, 51, 52, 53, 56, 74, 75, 78, 79, 82, 99,100; pis. 22, 24, 30, 43-45, 64-66;
Brendan Lynch: fig. 67;
Stephen Markel: figs. 10-11, 33; pis. 52-56, 63;
McGill University, Montreal: fig. 26;
Metropolitan Museum of Art, New York: figs. 7-9,116-117,120,125; pls.72, 92-95;
Museum flir Ostasiatische Kunst, Koln: figs. 109-110;
Museum of Fine Arts, Boston: fig. 22;
National Museum, New Delhi: figs. 40-41;
National Palace Museum, Taiwan: figs. 94, 97, 105;
Otto E. Nelson, New York: figs. 37, 67, 91, 112-114, 122, 128,131-132; pis. 82-83, 87, 98-99;
Newark Museum: figs. 65, 69, 101;
Pieterse Davison International, Ltd.: fig. 102 and Pl. 75;
Pollitzer, Strong, & Meyer, New York: pis. 31, 33-35;
Tom Pritzker: Pl. 26;
Rijksmuseum, Leiden: fig. 62;
Andrew Rogers: pis. 49-50;
Royal Library, Copenhagen: fig. 46;
Robert D. Rubic: Pl. 77;
David Salmon: fig. 58 and Pl. 46;
Sasaki Johei: fig. 130
Seattle Art Museum: pis. 74, 91;
James Singer: fig. 47; pis. 27, 32;
H. K. Swali, Bombay: fig. 38;
Tibet House Museum, New Delhi: fig. 66;
Tokugawa Reimeikai Foundation, Tokyo: fig. 98;
Tokyo National Research Institute of Cultural Properties: figs. 95, 96, 121;
Vajra Arts, New York: fig. 63;
Victoria and Albert Museum, London: figs. 19, 44;
Doris Wiener, Inc., New York: figs. 49-50;
William H. Wolff, New York: fig. 118.
Yamato Bunkakan, Nara: Pl. 88
Kind permission has been granted by Stanford University Press to quote a passage from their publication A Tale of Flowering Fortunes, translated by William H. McCullough and Helen Craig McCullough.